(Excerpt from Lick Me)
Pork's set was entirely white and had three main areas loosely representing
the Factory, Max's Kansas City, and Amanda Pork's bedroom, all
dominated by Pork’s big bed in the middle. There were no
curtains; the action and lighting just moved from one area of the
stage to the next, and the characters entered and exited via
revolving panels at the rear. A half hour before the start of the
play, just before the audience was allowed in, I took my place on the
bed and stayed there completely still, as if I was sleeping, until
the play began. And I was completely naked. So, as the audience
members entered and sat there waiting, they were already confronted
with a sight that made some of them feel rather uncomfortable.
Much like in World, Pork featured two beautiful young naked boys in
high heels, called the Pepsodent Twins, one with his pubes powdered
blue and one with his pubes powdered green. And once I woke up (a
few minutes into the play), I spent a lot of time rolling around with
them on the bed, before gradually putting my clothes on and moving
about the set -- all the while shooting "Vitameatavegamin"
(Pork's I Love Lucy name for speed) right through my pants.
Most of my scenes were either rambling convoluted one-sided rap
sessions with the Andy character, played by Tony Zee, or raging
quarrels with my mother character, played by Suzanne Smith. And some
were quite distastefully graphic, like the one where I plopped globs
of chocolate pudding onto a clear glass dish, held over the face of
one of the Twins, while Vulva described the details of a plate job --
a scene that caused gasps from some in the audience and led a few of
'em to walk out, especially when I proceeded to lick the spoon.